Please forward this error screen to sharedip-10718044127. From the home recording for musicians for dummies pdf beginning, the Chinese Theatre has striven to give the public the best possible show. Part of this experience includes the projection room.
Chinese has played host to the entire range of motion picture technologies. This heritage is so illustrious, that a history of projection and sound reproduction systems is a long and complex tale. 7 bays of roughly 17 feet each. The “Cathay Lounge” overhangs two of these bays, and so if the screen is somewhat beyond the footlights, the projection throw is around 90 feet. 33:1 screen was probably 24 feet wide by 18 feet tall.
Auditorium showing position of projection room and 1:1. 33 screen 18′ x 24′, 1927. Chinese Theatre at Hollywood, California” The Architectural and Building Press, Inc. Sid Grauman, outfitting his Chinese Theatre, had in mind only one thing: The best of everything.
Originally, the projection booth was situated upstairs in the center of what came to be called the “Cathay Lounge. The booth was 17 feet deep by 28 feet wide, and 9 feet tall. From Motion Picture News, February 4. 1928, “Brains and Arms of Showmanship in Phone Link” by Carl. The booth contained all of this projection equipment in a somewhat small space. All of the projectors at this time utilized carbon-arc lamps as their light sources. Carbon arc lamps had been in wide use since the 1890s, and were used in motion picture projection into the 1970s.
Brilliant light is produced when two carbon-rod electrodes are touched together and ignite, creating what is called an arc discharge — an arc of light jumping between the two electrodes. The carbon arc lamps produced a great deal of heat, as well as smoke from the burning carbons, and so the lamphouses were insulated so that the operators would not burn themselves, and they were always equipped with exhaust chimneys with fans to carry away the heat and carbon smoke. Title card for King of Kings, directed by Cecil B. Movies at this time were shipped to theatres on 1,000 foot reels of 35mm nitrate film. Often, two 1,000 foot reels were spliced together, making a 2,000 foot reel, which over time, became the industry standard.